About Gallery Director Matthew Swift
In 2013, I founded Trident Gallery with the intention of bringing to Gloucester a gallery offering the high quality, the professionalism, and the excitement of the ambitious program of leading galleries in larger cities, while keeping it a welcoming and informative center for the Cape Ann region’s extraordinary arts community and its visitors.
As the Gallery Director, I choose the gallery’s artists, and I choose the works of art to offer for sale. I select, hang, and light the art in gallery exhibitions. I write and design gallery invitations, newsletters, and publications. I advise and serve gallery artists in all aspects of their careers, and I advise and serve art collectors in all matters to do with acquiring and owning art. And I am the host you will most often meet when you visit the gallery.
As a student, professor, and then gallery director, I have spent most of the last twenty-five years learning and thinking about art and in dialogue about art with artists, scholars, students, friends, guests, and the public.
My professional training is in art criticism. In my view, the work of a critic is to feel, analyze, contextualize, ground in experience, articulate, and communicate passionate responses to art. It all begins with the emotional response, which takes on authority and power as it involves the mind, which then demands — and is enriched by — amplification and interpretation, within the context of one’s experiences and values.
My first goal as a gallery director, therefore, is to create a space and a mindset for visitors which allows and encourages a powerful, direct experience with art. This begins with the quality of the art and includes the maintenance of a comfortable and reverent gallery space, the work of selecting and presenting art in such a way as to reveal its excellence, the provision of rich supporting materials, and often leading viewers with personal conversation into a rewarding personal dialogue with art.
Having accomplished these, I aim to make the processes of selection and acquisition of art clear, efficient, and responsive to the needs and preferences of each client. Living with a work of art is rewarding, often profoundly and in unexpected ways. But making excellent choices with confidence is not difficult or elusive for a client working together with a professional gallery having sympathetic values and tastes.
- Bachelor of Science, Mathematics, Massachusetts Institute of Technology
- Master of Arts, English, Hollins University
- Doctor of Philosophy, Interdisciplinary Literary Studies, The University Professors Program at Boston University
I spent the first fifteen years of my adult life at universities. In graduate school, I became an interdisciplinary Modernist, researching and doing coursework in the philosophy of physics and in art criticism. I spent seven years researching and writing about the novels of Samuel Beckett. While trying to catch up to him, a genius artist and one of the most learned men of the 20th century, I received a broad education in many subjects and areas of western thought — psychology, philosophy, history, religion, music, and theater.
My eyes opened early to the richness and power of what art could do and be as I grew up in Washington DC in a home with Old Master prints and drawings, Chinese and mid-century modern furniture, and contemporary art, much of it Modern and abstract. Many relatives and my role models have been visual artists, musicians, writers, architects, teachers, and professors of art, history, and literature. My father and his first wife were art collectors and museum trustees, and she edited the Washington Review of the Arts.
My ties to Gloucester go back to my father’s grandfather, Arthur G. Leonard of Chicago, who built a house called Druimteac (“Drumhack”) on Eastern Point in 1920. His wife, Mary Josephine, was a painter and art collector who made purchases (now in my collection) from the new art associations that formed in Gloucester in the 20s. Their grand-daughter, Lila Swift Monell, married and raised four children in Gloucester, all of whom have stayed in Gloucester. I visited Gloucester every year when young, then lived there seasonally and on weekends for twenty years while living in Boston, and in 2009 I joined my Gloucester cousins and others from New York to become the latest of Arthur Leonard’s descendants to settle in Gloucester and raise a family.
An experienced collector wisely asked me once what I collect. I am still working on documenting my personal collection, but here is a sample.
Among those giants who have personally raised me up, spoken truth, set standards, opened doors, or otherwise mattered a lot, I thank, in no particular order, David Vogan, Alan Brody, Harriet Ritvo, Richard Dillard, Jeanne Larsen, Jürgen Renn, Abner Shimony, Sahotra Sarkar, dissertation readers Sir Christopher Ricks, Sir Geoffrey Hill, and Rosanna Warren, Roger Scruton, Jeffrey Mehlman, and Young Soo Ha. Many more must remain unnamed — teachers before university, mentors and shining stars of personal life.